A voice from the dark called out,
‘The poets must give us
imagination of peace, to oust the intense, familiar
imagination of disaster. Peace, not only
the absence of war.’
But peace, like a poem,
is not there ahead of itself,
can’t be imagined before it is made,
can’t be known except
in the words of its making,
grammar of justice,
syntax of mutual aid.
A feeling towards it,
dimly sensing a rhythm, is all we have
until we begin to utter its metaphors,
learning them as we speak.
A line of peace might appear
if we restructured the sentence our lives are making,
revoked its reaffirmation of profit and power,
questioned our needs, allowed
long pauses . . .
A cadence of peace might balance its weight
on that different fulcrum; peace, a presence,
an energy field more intense than war,
might pulse then,
stanza by stanza into the world,
each act of living
one of its words, each word
a vibration of light—facets
of the forming crystal.
Denise Levertov was born in England to a Welsh mother and a Russian Hasidic father. Her father, who had emigrated to the UK from Leipzig, converted to Christianity and became an Anglican priest. She moved to the United States in 1948, and in 1955 became an American citizen. By the time she died in 1997, Levertov had published nearly fifty volumes of poetry, prose, and translations. Levertov taught at Brandeis, MIT, Tufts, Stanford, and the University of Washington. It was at Stanford, where she taught for 11 years (1982–1993) in the Stegner Fellowship program, and where her papers are now housed, that Levertov converted to Christianity at the age of sixty. After moving to Seattle in 1989, she joined the Catholic Church.
Debie Thomas: email@example.com